国外大学毕业服装怀旧解读电影《十二怒汉（电视版） Studio One: Twelve Angry Men》

国外大学毕业服装怀旧解读电影《十二怒汉（电视版） Studio One: Twelve Angry Men》

  This production of 'Twelve Angry Men', written especially for Studio One, is shorter than the film version and leaves a few twists and turns of plot undeveloped, but it is fifty minutes of class nevertheless. For many years this episode was thought to have been lost. The Museum of Television and Radio (now the Paley Center) had only the first 30 minutes of the hour-long program on a kinescope provided by CBS - the only version CBS had. After nearly 30 years of searching, a copy of the complete program was found in 2003 by filmmaker Joseph Consentino, who was working on a documentary about noted defense attorney Robert Leibowitz (Leibowitz reported on the Charles A. Lindbergh baby kidnapping for the NY radio station WHN) and found a copy of the show in the archives maintained by the children of Leibowitz, Robert Leibowitz and Marjorie Leibowitz Finch. Samuel Leibowitz requested and received a commercial-free kinescope copy of "Twelve Angry Men" from CBS shortly after it aired because of his interest in legal issues. The Leibowitz children donated the kinescope to the museum and it had a re-premiere in May 2003.

       很庆幸没有错过这部电影，我原本会以为这是部黑白片年代太久摄影技术会落后，剧情会不缜密不引人入胜，直到看完我觉得就算是它是部黑白片就算是它只在一个房间里发生也是一个伟大的故事。
    看完之后有人问我angry翻译成怒汉到底合不合适，我觉得，能表现他们来自不同行业但是人性中共同散发的正义和勇敢，用“怒”再合适不过了。
    仅一叶便知花花世界，12个人的每个动作，每句发言，每个态度都表现了他所代表的一类人的优点亦或通病。书生的柔弱和理智，表匠的细致和用心，建筑师的严密和仔细，这些人亦或因为环境的不同而对这个18岁的少年的犯罪产生了不同的看法，同时显示出他们的人生态度。
    虽然我一开始便知道结果，但它还是比任何一部枪战和飙车片引人入胜，当他们对待一个生命，对待自己的权力时的每一个眼神，每一句话语都让这个生命上下摇荡。而影片所说的是否是我们的通病呢？觉得大众的想法是正确而人云亦云，觉得这一类人是这样而对待下一个，想当然和盲从到底让我们让他人失去了多少？
    我喜欢因为和儿子吵翻而对街头地痞痛恨厌绝的男人，喜欢他撕碎照片时的无助和落寞，喜欢自己最后防线被攻破之后的嚎啕大哭，和身后为他披上衣服的男人。
    入胜而深刻，让人肃然起敬。